Live recording of a concert at Cafe Oto in London by the Tse Trio with guest Angharad Davies, playing together for the first time.
Carl Ludwig Hübsch — tuba, objects
Pierre-Yves Martel — viola da gamba, harmonica
Philip Zoubek — piano
Pierre-Yves Martel — viola da gamba, harmonica
Philip Zoubek — piano
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Fracking 6:430:00 / 6:43
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Conditions 15:490:00 / 15:49
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Civilisation 5:180:00 / 5:18
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Darth 8:230:00 / 8:23
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Guts 6:140:00 / 6:14
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Meth 10:340:00 / 10:34
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News 6:440:00 / 6:44
CARL LUDWIG HÜBSCH tuba, objects
PIERRE-YVES MARTEL viola da gamba, objects
PHILIP ZOUBEK prepared piano
PIERRE-YVES MARTEL viola da gamba, objects
PHILIP ZOUBEK prepared piano
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0:00 / 5:07
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0:00 / 6:56
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Tap 16:250:00 / 16:25
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0:00 / 7:39
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0:00 / 7:28
PIERRE-YVES MARTEL
viola da gamba soprano, harmonica
Estinto is characterized by slow music, extended in time and riven by isolated events in a frame of silence. Through restraint, observation and control, the interplay of viola da gamba and harmonica opens a space wherein each instrument can extinguish itself and finally blend into a single unearthly soundscape.
Like a painter working at the intersection of shadow and light, Pierre-Yves Martel gives voice to silence in a subtle play in which every intervention draws, in ghostly lines, the contours of a sonic architecture that is both distinct and enigmatic. The constancy with which Pierre-Yves Martel explores a single idea in order to give form to empty space make this work a fascinating exploration of spatiality and time, and an invitation to reflect.
viola da gamba soprano, harmonica
Estinto is characterized by slow music, extended in time and riven by isolated events in a frame of silence. Through restraint, observation and control, the interplay of viola da gamba and harmonica opens a space wherein each instrument can extinguish itself and finally blend into a single unearthly soundscape.
Like a painter working at the intersection of shadow and light, Pierre-Yves Martel gives voice to silence in a subtle play in which every intervention draws, in ghostly lines, the contours of a sonic architecture that is both distinct and enigmatic. The constancy with which Pierre-Yves Martel explores a single idea in order to give form to empty space make this work a fascinating exploration of spatiality and time, and an invitation to reflect.
PIERRE-YVES MARTEL
viola da gamba, harmonica
Continuum is a project aiming at the spontaneous creation of elemental music, that is, music devoid of any aesthetic form or linear narrative. The idea is to impose rigid strictures on the initial creative perimeters in order to maximize freedom and fluidity during the performance. In part, they take the form of a steadfast commitment to the maintenance of restraint, observation, and control, in such a way as to transcend the instinct to play a piece of music in order to let the music play both the performer and the listener.
viola da gamba, harmonica
Continuum is a project aiming at the spontaneous creation of elemental music, that is, music devoid of any aesthetic form or linear narrative. The idea is to impose rigid strictures on the initial creative perimeters in order to maximize freedom and fluidity during the performance. In part, they take the form of a steadfast commitment to the maintenance of restraint, observation, and control, in such a way as to transcend the instinct to play a piece of music in order to let the music play both the performer and the listener.
PIERRE-YVES MARTEL
viola da gamba, objects, feedback
PHILIPPE LAUZIER
bass clarinet, soprano saxophone
viola da gamba, objects, feedback
PHILIPPE LAUZIER
bass clarinet, soprano saxophone
Pierre-Yves Martel — viola da gamba, feedback
Philippe Lauzier — bass clarinet, saxophones
Philippe Lauzier — bass clarinet, saxophones